Thursday, November 22, 2012

Where have the Harbingers of Apocalypse gone?

11/22/2012



"The Sun will be turned to darkness and the Moon to Blood before the coming of the great and the glorious day of the Lord." NT Book of Revelations



The Mayan long calendar dates the end of a 5,125-year cycle for December 21 2012. Despite a number of notable Messengers of Doom getting attention over the years, so far there has been little noise over 2012’s cataclysmic offering.

There are many reasons why the few who claim the end is nigh are flying under the radar. The most notable probably being that the end of the world, certainly as we know it, may very well be nigh if the global recession does not lift. 

However there is also the fact that this is not a religious apocalypse. We don’t have to repent to be saved.  There’s no big guy in the sky checking his dairy to see a scheduled clear out of Earth. The date was set by astrological alignments and mathematics. It will bring volcanic eruptions, earthquakes, tsunamis, famine, plagues, pestilence, you name it. Or such were the fears that emerged from Michael Coe’s 1966 book The Maya where he suggested that the universe would be annihilated on the last day of the Mayan long calendar; much of which has been dismissed by subsequent researches in the field.

It would be difficult for any modern religious zealots to adapt the rediscovered ideas of a Pre-Christian Meso-American civilisation which practiced human sacrifice with any credibility. Perhaps because this particular prediction came from scholars as opposed to scriptures no particular religious group has been able to latch on to it, make it their own, and use it as switch to whip followers into a frenzy and hopefully sweep some vulnerable spectators into the fold.  

Secular societies have become bored of these doomsday predictions - There have been many, and we are still here after all. There is also much room for a lingering cultural embarrassment over the hysteria that marred the turning of the century. Y2K was one of the most hyped and most spectacular failed-predictions of all time. After so many were hoodwinked into caring about nothing it rendered our attitude to Armageddon flexible and liable to shift.  

But even now, the people who predict these apocalypses are so emphatic, so sure. Remember last year when Christian Radio show host Harold Camping came to international attention claiming Jesus was en route bringing a wave of fire and brimstone that would wash across the earth? At 6pm, May 21 exactly. Apparently God follows the Gregorian calendar too so this wave would move seamlessly though time zones arriving at each one bang on six. At least he'll avoid the jet-lag.

One of Camping’s core beliefs that only a tiny percentage would be on Heaven’s guest list; It prompted many to ponder the hypothetical. What will I do if I’m left behind, with all these goodies, and no supervision? The whole episode descended into farce when people all over the world started holding ‘Rapture’ parties thus establishing an excuse to go out and have some irony fuelled fun.

This new approach to the end of the world is refreshing.  It irradiates those few instances where you might actually worry. The blind faith in the End of Days that too many possess have led them to the borders of sanity and sadly, for some to needlessly take their own lives. 

The countdown is on. But in the build up to this most significant of non-events let’s hope that the attention on scare mongering is minimal. But for those who went last year Rapture parties tongues lodged in cheeks, the biggest concern this December likely to be Christmas, New Year and how to dress like Mayan for fancy dress.

By Niamh Kirk

_____________________________________________________________________

Here are some future dates for End of Raves parties.

A Zombie Apocalypse is going to kick off any day now according to the internet. It seems to make it into a lot of novelty news sections. Whether they are lethargic Night of the Living Dead or exasperating 28 Days Later variety is anyone guess. Hopefully it will be the more manageable former so the parties can go relatively undisturbed.  But there are a number of other, sounder, ecologically based theories that date the beginning of the end will kick off some time soon.

2016 - Unknown settlers in the US – Journal of record Weekly World News reported that archaeologist Professor Lloyd Cunningdale of Salt Lake City found a time capsule left by the settlers which contained predictions that biological warfare would lead to the end of humanity.

3797 – Nostradamus – last date in old Nostros predictions which has led to some reasoning that as he predicted no further that is when the world ends.

500,000,000 – James Kasting - Co2 level will reach such high levels it will render earth unliveable.

4 Billion Years – ‘Scientists’ – the Milky Way and Andromeda galaxies will collide.

5 Billion years –‘Scientists’  – if the prior collision turns out to be near miss the sun will swell into a red giant and engulf the Earth.



Thursday, November 8, 2012

Craft Community News - European Sustainable Craft Network






http://www.ccoi.ie/content/view/360/186/

What the F.F.F?

12/03/2010






From their first appearance at ‘Jamburger' in 2009 the girls have been busy with face painting and poi performance as well as delving into their bags of tricks for some new acts, making any event an extravaganza. So I caught up with Sarah to see what they have been up to and what the future holds for the Festival Face-Painting Fairies.

If you haven’t come across the F.F.F. yet you are in for a treat. Sarah Hopkins (22) and Grainne Murphy (20) have been adding a bit of magic to local events as the Festival Face-Painting Fairies for a few months now. On inquiring as to how it all got started Sarah is more than willing to give an honest account. “We wanted to get into Jamburger for free so we said we would do some face-painting at it, we decided to go as fairies and it was a festival, so Festival Face-Painting Fairies. It all took off from there.” Since then the girls have worked at various fairs, festivals and parties. They delighted crowds at Christmas in the retail park and in the Spirit Store in the post-Jamburger revels.

The girls are keen to keep up the good work and hope to soon start entertaining at children’s parties and other local outdoor occasions. “I have always loved everything creative and have painted for years. It seemed like a natural progression to move into face painting. It’s something that combines my love of painting with getting out and meeting people."

Like everything in life this has its weird side “The weirdest thing I’ve been asked to paint? A kid once asked me to paint him as Dr. Who! The best I’ve ever done was my mate Gav; he was painted as Wes Borland from Limp Bizkit. The worst, a guy asked to be done as a ‘scary metaller’. I tried to do red spirals on his cheeks but he ended up with rosy cheeks and lip-stick.” Terrifying indeed.

But the girls are not limited to face-painting and regularly perform poi; recently they were seen at the live performances in the Dundalk’s Market Square on St. Patricks Day."I love Poi because I have a passion for music and doing Poi allows me to visually represent the rhythm and the mood of the music or song, which is a lot of fun". Grainne agrees, "Jeez I like spinning because it’s addictive and relaxing ...as well as keeping you fit and it’s a good feeling to see people enjoy something you’re creating." 

It was Grainne that first started poi and got Sarah interested, after that they worked together. They are self taught, but always help each other out with new moves and ideas. “ My favourite song to do poi to, and it’s only because I started to listen to it around the time I started to get good, is Pretty Visitors by Arctic Monkeys, Grainne’s is pretty much anything by Infected Mushroom.”

Sarah is full of helpful advice for anyone interested in starting poi too. “The best thing to do is go to YouTube and look up ‘how to make sock poi’.  Always practice listening to your favourite songs and above all, have fun,”

The summer is coming and Fairies are becoming more active. “Well we are going to a Poi Festival, Sothern Lights, in the U.K. this summer and hopefully performing Fire Poi at the Electric Picnic”.  F.F.F. are also currently working on including hoola hoop, staff and contact ball into their already program of spectacular skills.

The girls are big supporters of the local music scene and I had to get one or two tips before I left. “Go see Insanity or I’d Fight Gandhi, or maybe DJ Yea Buzz from Drogheda.” 

We couldn’t help discussing the scene in general which begged the question was there anything lacking in Dundalk music scene? “Venues, especially for under age gigs somewhere like the AOH would be good. Yea brings back the AOH... imagine if the AOH was around now, Facebook would have a heart attack.”
But venues are no issue for these adaptable ladies. Fuelled by an entrepreneurial spirit and creative energy The FFF are set to paint the town red, and yellow and pink and green.....

By Niamh Kirk
Published www.highway67.net March 2010

Euro 2012: Ireland team are squids in after octopus predicts win over Spain



Euro 2012: Ireland team are squids in after octopus predicts win over Spain



Wednesday June 13 2012
AN octopus who correctly predicted the result of last year's general election has backed Ireland  to win their second group game against Spain  tomorrow.
Click here to continue reading 
By Niamh Kirk

'The Begrudgers' can't argue with Storyland result


'The Begrudgers' can't argue with Storyland result

Wednesday June 06 2012
COMEDY drama 'The Begrudgers' has emerged as the winner of RTE's 
Storyland competition, writes Niamh Kirk.

Click here to continue reading


Making the switch to ward from pitch





By Niamh Kirk
Thursday Jun 7 2012
FORMER Irish rugby international Emmet Byrne joined a scrum of fresh medical graduates yesterday as he was conferred at the Royal College of Surgeons.
Click here to continue reading. 

Vantastival – Dunany Estate, Annagassan

11/05/2010






This year’s May bank Holiday weekend saw the launch of a new music festival with difference. Over three days, Vantastival  2010 saw a wealth of Irish music played in the picturesque grounds of Dunany Estate, Annagassan, in Co. Louth. The difference? It pays particular attention to catering for campervan enthusiasts and recreational vehicle owners, with no added cost to the ticket price for bringing you van or vehicle.
The inaugural Vantastival proved a family friendly affair, with parents and children alike delighted that it was safe and compact enough to allow youngsters off the leash. The gates opened at lunch time on Friday to allow the early birds get the best camping spots. The music kicked off late on the Friday and as night descended, the mighty Meatmen impressed the crowds with a spectacular show, followed by The Mods and Rockers Ball’.
An early shower on Saturday morning threatened some muddy business to come but by 1pm the sun was out and the clouds had all but disappeared. As more campers arrived, the first bands took to the various stages and a real festival atmosphere prevailed. Dundalk outfit, The Gakk launched into a pure punk tirade, complete with plenty of head-banging and even giving the crowd the fingers.
On the main stage, Offaly boys, Frantic Jack, played some frantic hard rock jams, although they dipped the pace (but not the quality) for their hypnotic and melodic first single -Firefly’. Machine Gun Baby sound not unlike the King of Leon with spooky guitars and gravelly vocals, but the boys do have a style that’s very much their own. They also looked like they were having as much fun as the audience, and the crowd’s massive reaction was repaid with a blistering encore of ‘Dirty Sexy’.
In total, Vantastival took place over two fields, with nothing more than a five minute walk away. The Paddy Mirage tent (of Burning Man and Glastonbury fame) was situated in the second field amongst a virtual rainbow of classic VW’s, and it was here the Blue Choir excelled in the smallest of the main venues. A vocally incredible performance from the folksy four-piece earned them a raucous reception from the audience. It was intimate, with a circular seating arrangement forcing all eyes on the stage, where you could easily forget you are at a festival and begin to feel like you’re in a remote Irish pub. Arrow in The Sky and O Emperor were similarly engaging on the same stage.
Late in the evening, -The Lockup’ tent, placed at the farthest point from the main area, played host to the dynamic eight piece, The Trampz. They might not play often but when they do, they’re entertaining, energetic and at times out-right hilarious, with a packed tent (and then some) dancing to their funky sax, clarinet and bongo beats. At the same time, Sounds Of System Breakdown brought their unique electro pop fusion to an expectant crowd and they didn’t disappoint, creating a huge sound for a three-piece, who could pick up LCD Soundsystem’s baton if rumours of their demise are founded.
A late night rain-shower drove festival goers indoors and ensured a full house for the highlight of the night. Jinx Lennon is a man on the fringes of modern Irish music. A musician, a poet and described by Christy Moore as the most relevant artist in Ireland at the moment, Jinx’s lyrics are politically charged, thought-provoking and as non-radio friendly as you can get. With the sultry voice of Paula Flynn accompanying him and utilising his minimalist electronic beats in exceptional style, he made the tent feel ten times bigger than it was. He left those unfamiliar with him stunned and ardent followers satisfied with a top quality performance. ‘Will You Stop Giving Out about Nigerians’ and ‘Protein FT Festivals’ were perfect examples of his unabashed criticisms of certain mentalities threading through contemporary Ireland and won him universal praise from spectators.
With the exception of The Gramophone Disco things wound down by the shops and main tents. However, the open-mic tent, ‘Psychedelica Openmicedelica’, provided a constant conveyor-belt of talent, and over in -The Lock Up’, the Rastachaun DJs kept the late night partiers entertained with some slick drum & bass until the early hours of the morning.
Sunday started slowly, with heavy rain and an icy wind keeping many in their campers and tents, but heads began to pop out as sirens echoed around the site and a funky computerised voice announced that Dundalk trio Podracer are taking the stage. After grabbing our attention, they rip through a sternum-crunching set that breathes new life into some weary bones. Not far away, a brief break in the weather allows for an impromptu outdoor gig by We Own the Streets who also filmed an episode for RTE’s -Storyland’ at the festival.
Unfortunately the weather didn’t improve, resulting in The Sleep Thieves set being sinfully unattended. They still put their best foot forward and played like the tent was full to capacity, professional to the last note. Their second song -City Lights’ with its ’80s pop synth and new track ‘Impersonator’, with its thumping bass, were particular highlights.
As folks sought shelter from the cold, The Dublin City Ramblers packed the Paddy Mirage to the rafters. It was an all round elbows out, foot-stomping knees-up and a rendition of -Fields of Athenry’ enticed the vast majority to sing along at the top of their voices. Sarah Lou followed them on stage, with her performance described by one spectator as being ‘so good it sent shivers down my spine.’
Just before 5 pm the sun broke through the clouds and Kila took to the stage as a slightly soggy but much relieved crowd flocked towards their unique combination of Irish folk and world music. With a constant switch of weapons, Kila left everyone speechless. After an impressive 50 minutes, they made a break for it but demands for them to continue echo across the arena.
As the sun set on the final day of the festivities, Ska band Pressure Drop impressed with some classic Madness, Specials and Bad Manners tunes as well as a whopping cover of The Beat’s -Mirror In The Bathroom’. There wasn’t a stationary person in view, with everyone from the youngest kids to old rockers shaking their booties. Fred, The Ambiance Affair and London-based foursome Yngve And The Innocent all [layed at much the same time, leaving revellers torn. Top-notch reputations precede all of these acts. Fred showed no signs of tiredness, having just arrived back from their two dates in Germany as they played up a storm on the main stage.
The multitudes then poured into the main stage for the final act of the weekend, and Jack L didn’t disappoint, manipulating the stage with finesse. Opening with his classic -Georgie Boy’, Jack then serenaded the masses with ultra-classy version of The Stranglers’ oldie -Golden Brown’. The 20 piece gospel choir, who accompanied him on his dates in Vicar St, took to the stage to riotous applause and dramatically increased the wondrous atmosphere.
Over all, the festival attendance was lower than expected, but regardless, many who attended were heard comparing it favourably to the first Electric Picnic. Visually spectacular, compact and extremely well organised, the atmosphere was chilled out with continuous comments on the friendly tone. While the headliners gathered the biggest crowds, as expected, much of the glory of the inaugural Vantastival belongs to independent unsigned acts, many of whom had never taken to a festival stage before and all of whom rose to the occasion brilliantly. The verdict? Vantastic, of course.

By Niamh Kirk

"Who would you fight?" "I'd fight Gandhi."


05/05/2010 




Fresh off the stage from their set at Vantastival 2010 and sitting in the sun drenched camping area, nu-metal traditionalists, I’d fight Gandhi take some time out from the festivities to talk gigs, musical mathematics and world-wide collaborations.

They played a blistering gig on the main stage at Vantastival and made quite an impression on the youngsters in the crowd some of who could be spotted throughout the weekend sporting signed ‘Gandhi’ T-shirts.  From a spectators point of view the set was explosive, but how did it go for the guys?

Vocalist Sean McMahon was impressed, “It was amazing”. But bassist Ian Hunt continues “We tried a few new tracks that we hadn’t tried before and they actually turned out to be the better songs. The energy was there anyway.” Sparking a great rapport with the crowd between songs they kept everyone laughing and smiling until they blasted out with their next track. Drummer, Ian explains “That’s not intentional I think they 
are laughing at us, Sean’s just a joker with his pink hair”. “Red! It’s light-red” Sean protests.

Like many, the guys were quick to comment on the success of the new festival, (the first of the season on the May Bank Holiday weekend) and their gratitude for being asked to play. “It’s savage, Benny and Louise have put in so much work for months and months and it’s totally paid off. I think Electric Picnic on its first year had about 500 people and I’m sure here has much more,” Sean says.

Hunt reflects “If you back to Jamburger, I thought that was the pinnacle of festivals in the area. But this is about three, stretch it to four times the size of it. It looks like a proper festival and it has the atmosphere.” I’m not sure if he’s thinking or asserting but Harold pipes up “I think I prefer it to Electric Picnic because everything is so close together but maybe it’s because we are playing at it”.

With live sets that are boisterous and pumped full of enthusiasm one might assume that pre-gig nerves are no problem for the Gandhi boy’s. Not so says Ian “Yea I was nervous about the two new songs. We had a structure in mind and got through it. The song ‘Vantastival’, we only finished off the lyrics the other day, it was called ‘Song Two’ up until a spur of the moment decision to call it ‘Vantastival’. Kevin and Tommy were stressed about the promotional stuff before the gig.”

Each of the guys have been involved in the Dundalk music scene for a long time in some form or another so how did they all get together in this format? They explain “Aiden, Ian Hunt Duffy and Kevin were in Leeway, who were one of Sean’s favourite local bands at the time. They broke up and started working with Ian Harold on drums, after that Sean came in and then there was I’d Fight Gandhi. Aiden then moved to New Zealand and we got Tommy in on vocals bringing us to our current line up. Tommy had been with The Grudge, the Tool tribute act and some of us were in Bull’s on Parade.” To sum up: Leeway + Bull’s+ The Grudge = I’d Fight Gandhi.

The name I’d Fight Gandhi (a quote from cult classic Fight Club) in conjunction with the aggressive style of music might attract criticism. However, they are quick to dispel any perceived volatility . Ian Hunt explains “I just remember thinking after Leeway we need a real catchy name. I can’t remember if it was Aiden or I but ‘I’d Fight Gandhi’ was a bit outrageous and we thought it would stick in your mind.” Tommy adds “We’ve had two comments on facebook saying they just joined because the name was cool.” Sean sums up “But it’s not to be taken seriously, we don’t take ourselves that seriously.”

The future is bright for I’d Fight Gandhi with a momentous collaboration with Lord Nelson from U.S. Rap-Metal group Stuck Mojo on the horizon. The track they are collaborating on will be a global effort with contributions coming from as far away as South Carolina and New Zealand.  Lord Nelson’s last collaboration was on rock-group Fozzy’s album “Chasing the Grail” (Fozzy are fronted but WWE superstar Chris Jericho and feature members of Stuck Mojo.) Sean is humbled by the prospect he says “He’s one of my favourite rappers and he’s going to be doing my lyrics so it’s pretty special for me. It’s such an honour to have him working with us. We gave him free range with lyrics but he was happy to use the lyrics I’d written.”
Tommy notes “Stuck Mojo have been a big influence on the band” Kevin adds” they are one of the closest bands to the I’d Fight Gandhi Sound that’s out there.”

Sean provides a breakdown of how it came about and how it will work. “It was random chance or luck or whatever.  I’ve been a fan of the band since 1997 when I got a CD of theirs in Metal Hammer magazine. I remember sending them a message asking them if they were ever coming to Ireland and I guess the singer Lord Nelson just remembered that. He got in touch with me a couple of months back when a colleague of his was coming over to Ireland and he wanted to know if I knew any good places to go out. So when he came down we met up with him and took him out to see the sights and sounds of Dundalk. He heard one of our songs and immediately rang up Lord Nelson from Stuck Mojo.”

Sean continues “He played him a bit of the song and told him he had to work with us, so we sent him the song and he absolutely loved it. He’s really excited about it. He’s recording the vocals for it over in South Carolina and sending it over to us and we will put it together. He’s excited about it, we are excited about it. Hopefully it will end up on our EP.” This process is something that they are more than familiar with as founding member Aiden Duffy currently lives in New Zealand. They send him songs and ideas by email and vice-versa.

The guys are eager to rejoin the celebrations as they discuss their excitement at seeing Jinx Lennon’s performance later that night so they graciously say their goodbyes. But before they go they hinted at a forth-coming EP release this summer which has now been confirmed. I’d Fight Gandhi will release their new EP ‘We the Damned’ (featuring track ‘Instru-Mental’ their collaboration with Lord Nelson from Stuck Mojo) on June 18th in the Spirit Store with Third Smoke supporting marking the start of exciting things to come from the guys. 


By Niamh Kirk

Coz we are living in a digital world and I am a d-digital girl.


10/10/2010





According to recent statistics, only 2% of music downloads are paid for. Now, not all the remaining 98% of audio downloads are illegal with un-copyrighted and free registered downloads comprising a minute percentage. However, the vast majority has been copyrighted by the artist and unpaid for by the downloader and considered to be stolen. It stems from Intellectual Copyright Laws that protect intangible creations like music. 

Next week a Bill goes before the US Congress proposing to begin a form of increased censorship of online peer to peer information sharing services. The implications for internet users and not just mass downloaders are serious. It could result in the mass restriction of any forms of file sharing including posting of favourite songs and videos on social network profile pages and Youtube.    

As it stands in Ireland, Eircom are the only providers to target illegal downloaders. If you are caught they issue a warning that if not complied with will result in cutting off your internet supply. But the movement toward the further protection of copyrighted material is occurring in the USA and it may not be long coming across the water. It has sparked concern from libertarians, supporters of the free culture movement and folks who just don't want to have to pay for their music.  

When the Mp3 format was standardised in 1991 audio file sizes were significantly reduced thus allowing them to be downloaded cheaper and quicker. Seven years of minor file sharing continued until the USA passed the Digital Millennium Copyright Act and Mp.3 players along with digital copies of music were released. To the music industry and the technology producing moguls the plan was flawless, Until an 18-year-old freshman computer-science student rocked the boat. In June 1999 Shawn Fanning launched Napster, the first centralised peer-to-peer file sharing system and within two years it had exploded.

Since then music industry heads have witnessed the mass decline of CD and digital sales. The RIAA-Record Industry Association of America -and the IFPI - International Federation of the Phonographic Industry - have become little short of militant lawyers who are ready and willing to sue the ears off anyone who so much as hears a decibel of an unpaid for tune. Labels representing their artists have sued those who have downloaded their music without paying for it. The parents of children who have shared a track or two (thousand) have become targets and major file sharing sites have been forced to close. It should however be noted, that overall paid for digital downloads are on the increase. So the industry is making money, just not as much as they would like. 

At the same time many major artist has shown their support for the sharing of files. In a now infamous interview 50 Cent dropped a bombshell "What is important for the music industry to understand is that this really doesn’t hurt the artists.” 50 Cent and many more like him appreciate the value of a young fan stating that they "may be just as devout and dedicated no matter if he bought it or stole it". He then went on to note that the only way for the industry to make the money back is to maxamise profits from concerts and merchandise. 

And oh have they what. Any avid concert going will have noticed the prices of tickets soar over the past few years, far beyond that which can be blamed on inflation. Nope, artists are simply unwilling to take the hit to their income and roll with the punches, so they are charging much more for performances. As Dolly Parton joked in Dublin "I know ‘yall’ paid a lot to come and see me here, and I’m sorry, but really does cost a lot to look this good."

But it is not just major artists whose voices should ring clear. Whether legal or illegal, peer-to-peer sharing provides smaller unheard of artists with a platform to have their work available to a much wider audience. Even if the download is illegally gained, the artist may not see the profit from the legal purchase but the listener might otherwise never have heard it. They might decide to go to a show, they might even go to a few and buy some merchandise. The Script’s front-man Danny recently noted how much his band rely on illegal downloaders and the futility of the battle against them.“You can’t combat that. I think that they’re quite important people. They’re like the taste-makers,” he said. He also commented on how the more widely available his music is online the higher the numbers at his shows are. “You can’t download the live experience, living and breathing these songs live.”   

There are many an example of unsigned artists making their music freely available on Myspace or free to download and gaining mass following from it, resulting in either being signed or being in a position to release independently. In fact there are many insiders who would dissuade an artist from signing with a label, stating that they are likely to see the majority of their profits go to bureaucrats and managers rather than into their bank accounts. Radiohead’s Thom Yorke recently commented “I like the people at our record company, but the time is at hand when you have to ask why anyone needs one.”

Some of the more popular artists, whose sales are practically guaranteed, have moved away from their record labels. The likes of Madonna and Courtney Love grew tired of seeing their potential profit being divided among industry heads, distribution companies and the all round administrators of the music biz. It was no longer of any appeal and they have begun to release their music independently. So although their sales are down, they are now seeing a higher return on the sale of a single CD or digital download than before.

Perhaps the aims of bands and artists looking to make it big may need to change to survive in a future where file sharing is a part of everyday life. Instead of living in the hope of being discovered and signed to a major label they need to take another road. Commenting on the issue recently Joe Pugg noted thet “It (illegal downloading) is starting to push people out of the business who were in it for the wrong reasons.” Artist can no longer hang about in a studio and sit back and watch the cash roll in when it’s released. They have to go out there and work for their money. And many of them are not happy about it. But the same measure it is exposing those who are in it for the right reasons and are who are truly talented to an audience craving some long awaited originality and genius.  

You can make money in the music industry, just not what people were making pre 1995. For a long time their lifestyles did not match their contribution humanity as a whole. They are artists and entertainers, the majority of whom are a part of a manufactured industry where everything from what they create and how they are perceived is controlled by public relation managers and marketers.

In the end, no one is saying that artists should not be compensated for their work. They just shouldn’t be able to fly in private jets, live lifestyles that would have made the court of the French aristocracy blush and be exempt from the same rules that apply to the rest of us. Short of going the route that the Chinese government has taken (god forbid) for the foreseeable future (although the view is slightly obscured by the looming US Congress hearing) file sharing will continue and genuinely talented unheard of acts will deservedly go global and major player musicians will have to work a little harder to maintain their lifestyles. 

By Niamh Kirk
Published www.highway67.net October 2010

The F Word








There are many industries that are traditionally patriarchal and that it required waves of inter gender warfare in order to establish a foothold for the fairer sex. But women were standing in the spotlight of the music industry while the icon of the career woman was a secretary who bags the boss.  

So why, when they have been taking leading roles for so long, does men’s presence and respect in the world of modern music far out-weigh that of women’s.  The recent Rolling Stone Top 100 Most Influential Musicians features only 11 women. The highest ranking being Aretha Franklin at number 9 and the next being Madonna farther down the ranks at 36. Both are vocalists.
The major success for women in music is disproportionately in the field of vocals as opposed to another instrument. 

It must be conceded that some genres are more balanced than others, (the chats are usually close to a 50/50 balance) but in the Rock, Metal and Electronic scenes women make fleeting and frequently unwelcome appearances. In Blues and Jazz they feature largely as vocalists or pianists but rarely as guitarists, percussionists or brass instrument players.

They are out there. A few obvious ones spring to mind - D’Arcy (Smashing Pumpkins) and Courtney Love or Shortee (Scratch DJ), and they are every bit as talented as their male counterparts. But in terms of presence and acclaim the fairer sex is not on a par. The question is why?
Give me a list of the ten best male and ten best female, vocalists, guitarists, bassists, drummers and DJ’s. Now the chances are that even the most militant bra-burner will have to admit defeat in terms of superiority on the entire above save perhaps on vocalists.

A drummer friend of mine once told me that he didn’t believe women could be great drummers or lead guitarists. His reasoning had to do with women’s upper body strength being weaker than men’s. Fair point, a simple fact, simply stated. But I’d hedge a bet that Lenny Kravitz and Prince would strongly disagree. Both of these guys have hired amazing female drummers, Cindy Blackman and Cora Coleman-Dunham. But again the business is not exactly over flowing with female drummers. That does not mean they are not capable of being equivalent in ability but let’s face facts the general perception is drums are for guys. 

As for female guitarists, they are a more common occurrence. Peggy ‘Lady Bo’ Jones is credited with being the “Queen Mother of Guitar” A well deserved title. She dropped jaws when she played with Bo Diddley in the 50’s and 60’s. She paved the way for many more to follow and along came the likes of Joan Armatrading, Joni Mitchell, Chrissie Hynde, more recently Brody Dalle, Marie Stern and many more. The list of talent goes on. But none of them feature on the top ten best of all time alongside Hendrix, Page and Clapton.

In terms of Bassists, Kim Gordon from Sonic Youth pretty much nailed it. And since her women bassists have been frequent, talented, respected and at worst adequate but a bit of decent eye candy.  Kim Deal form the Pixies and D’Arcy are others whose skills have not gone unnoticed. But again despite their credibility rarely make appearances above 50 on a top 100 list, which are dominated by the likes of Peter Hook, Phil Lynott and Tim Commerford.

In the electronic scene again there are some serious skills to be seen from the ladies. Shortee and DJ Heather considered being among the top Scratch and House DJ’s respectively and Annie Mac and DJ Lucca in breaks and techno too.  A lot of DJ’s and fans of electronic music I have spoken to have said that they don’t judge talent on a gender basis and many are quick to name their favorite female DJ’s in any particular genre. But the polls say otherwise.  In 2007 only one female DJ made it into the industry’s most respected Top 100 in DJ magazine. It was Lisa Lashes and she came in at a whopping No. 99, in 2008 she moved to 83 and last year and last year she stood alone once again, one in a hundred at 75.
They are out there, they are talented but they still don’t command the same reverence as the men.

Are most women really happy to be the ‘great woman’ behind the great man or wide-eyed star-struck groupies? And if not what’s stopping them from taking centre stage? Is it a confidence issue? Are men somehow excluding them? Or, dare I say it? Are women, beyond singing, quite simply not as musically talented as men? 

One train of thought elaborates on my drummer friends’ theory – that women’s physics are more suited to some instruments than others. In terms of vocals it is considered that women usually have a larger range to work with. Perhaps making it more understandable that their prominence as singers being their main form of success more understandable.

As for the idea of upper-body strength – According to fitness experts it has been reasonably well established that practice is not unlike exercise and the more you do it, the more you are capable of doing it. The strongest woman in the world can bench press 600lbs, it took her 12 year of training to do it, by comparison guitars come in anywhere between six and ten pounds on the scales. I think after a few years practice/training your average ‘chick’ could manage to play a while without collapsing under the weight of a Les Paul or Stratocaster. 

The idea put forward by many prominent feminists is that music made by men is largely for made for men. Unfortunately women are geared towards doing the same thing. They are accused of selling their sexuality to horny blokes and girls who use them as mentors to do the same or icons they love to hate. In terms of the Pussycat Dolls and their like it’s hard to refute the argument.

Janis Joplin was voted the ‘ugliest guy in college’ and I’ve yet to hear her described as a hot’, but is widely considered to be among one of the best artists of all time. One of the most respected and talented producers of Hip Hop Missy Elliot is never seen scantily clad, doe-eyed, pouting and posing like her career depends on it. You know, there might be something in the feminist mantra of ‘truly talented women don’t sell themselves through sex’.

It is of course possible that it is a social marketing issue. We are well out of the dark ages and women are playing on the same field as men in plenty of arenas. But in when it comes to playing football and playing music they are not taken quite as seriously as when strutting around the office in a power-suit.

The truth is that is probably a little of all of the above in different degrees. But the day when females’ presence and respect matches that of men’s still seems a long way off. . However it is easier for women now than it was for their mothers and so it goes it will be easier for the coming generation. We can only anticipate that in terms of higher number of respected and highly influential musicians in the modern genres, women’s presence will grow and add a new dimension. But for now, regardless of the reality of something being superior, it is perception that determines something’s value.



In the course of my research I came across this article and it still makes me laugh -


By Niamh Kirk
Published on www.highway67.net, March 2010.